Tag Archives: The Invisible Woman

An Accidental Autobiography

Here are some stories first published Facebook page. These are short simple vignettes of my everyday wanderings, people I meet, sights I see and general scrapes I get into, when I am out and about with or without the dog. I hope you enjoy them…

A Memory from 23rd May 2017

This is a drawing of Chris Parker, who was begging in the foyer of the Manchester Arena when the bomb went off. I made the drawing on hearing that he was hailed a hero for cradling a woman as she lay injured. He was later exposed as a thief and a fraud, stealing a purse from Pauline Healey who was seriously injured in the attack. then used her bank card at a McDonald’s in Manchester. He also admitted stealing a mobile phone from a teenage girl caught up in the attack.

In the days following the attack, Parker was hailed as a hero, after he told journalists that he had rushed to help the victims. More than £50,000 was raised as part of a crowdfunding effort, with money donated by the public, to recognise ‘his selflessness courage’.

He was caught out by CCTV that showed him rifling through Healey’s bag, as her granddaughter Sorrell Leczkowski lay dying. He also took photographs of the injured and the dying, which he attempted to sell to the press.

Initially he denied the allegations of theft and went ‘on the run’. He was eventually captured hiding in a loft in Halifax. He was charged and prosecuted, pleading guilty to three offences.

Parker was jailed for four years and three months, with a criminal order banning him from entering Manchester city centre for ten years.

I am not sure how I feel about the drawing, made when the man was hailed a hero, who was later exposed as a common thief, his behaviour making him reviled by the community and society as a whole. I still have the drawing, a strange reminder of a terrible event.



The Invisible Woman remembers… Prisoner 63745 and all other victims of genocide on Holocaust Memorial Day 27 January 2018

The Invisible Woman remembers… Prisoner 63745

The Invisible Woman meets… #70 63745. I only ever met two people in my life with who had numbers tattooed on their arms. The first was an old Polish lady who lived on our estate, she wore black and walked around in her belted overcoat and head scarf, never speaking to anyone. They said that she once had sons but they weren’t there. So there she was, the lady from the concentration camp in a council estate on the edge of Liverpool not speaking English or seeming to know anyone. I never thought at the time that she most likely didn’t understand what was said. She kept herself to herself.
The Second was the man from the 2p copy shop on Bethnal Green Road. He wore a very handsome toupee and very long cuffs on his shirt, every now and again you would catch a glimpse of the number that sent a kind of chill because you just couldn’t ask, as much as you wanted to.
I think this probably adds to my horror of tattoos, seeing them as something imposed and ruinous despoiling of the only thing you have, a countdown to death, no matter how fancy.

L’ Homme aux Camellias, 26th January 2018

I may have told you that if I take a left out of my front gate along the perimeter that shields the building site for the behind schedule, 32 affordable homes. Then take a left again, past the balconies of South facing unaffordable ones, for sale in the same new build, I come to a street of council houses, each with its own front garden, almost all neatly kept. Two thirds of the way along this terrace there is a tiny front yard that has been concreted over and in this little yard stands a tree.

The tree, a Camellia, may be older than the tenants, it is certainly older than the concrete that surrounds it. When whoever poured this concrete did the job, they left no room for this little tree to drink, as the hard grey  floor fits tight around its trunk. Each time I walk past I tip it the nod thinking that one day I will be brave enough to knock on the iron grille that shields the front door and ask if I can break the concrete and free the tree. Other times I think I would like to take matters into my own hands, but sadly I never do.

I see this tree as a metaphor for triumph over adversity, as it stands there bravely squeezing every bit of moisture from the air that it can, in order to produce its beautiful deep pink flowers. There it waits and grows, alone and defiant in a sea of impermeable greyness whispering a parched ‘yes you can’ to passers-by. I look on in admiration overwhelmed by its strength of purpose, succeeding against all the odds.

I have often wondered who lives in the house, with its grille and its grey and its irrepressible green. Then tonight as I was walking the dog around that block I saw a big black four-wheel drive car, maybe a taxi, its passenger door open. On the pavement in front of me were two figures, speaking what I imagined was Polish. The older man was shorter and was speaking loudly to a woman at the front door. The younger man, in his early twenties, dark haired and very slight, stood silent, tall and frail, unable to move without help. I moved around him on to the road, as he stayed still, frozen, his three-footed rubber tipped stick in hand, waiting for the woman, who I presumed was his mother, to inch him gently, tenderly and very slowly into the house, past the budding camellia.

Somehow it made sense…


What would Jesus do? January 2018

Standing at the bus stop, on my way to the London Art Fair courtesy of Eddie Carpet, when an elderly lady asks me if the bus will soon come.
We had a little chat about waiting and the weather at which point she told me that she had come all the way to Lidl to buy some bread but all she had was old money.
‘What do you mean, old money’
‘I only have a ten pound note and they won’t accept it, so I will have to go to the bank to change it and come back tomorrow’
She must be at least 75 and a tiny little lady.
‘How much do you need?’
‘About 75 pence’
‘Oh for goodness sake I can give you a pound, in this cold weather, after coming all this way’
At first she refused and I told her not to be daft and due to the cold weather and she’d just left church she accepted. She gave me a hug. How would she pay me back? I told her a quick word with the Lord on my behalf would do. I looked in my purse and all I had was a £2 coin. I made her take it under protest.
Off she trotted to the shop, within in the space of a couple of minutes the bus arrived and there she was a loaf in her bag and £1.25 in change which she gave me back bless her.
I asked her name, to which she replied ‘Patricia, just like you’.

I liked being an honorary Patricia for a bit.

One good deed and all that…


Liverpool The Singing City January 2016

My Nan, Liverpool 1978

To my Nan, to Auntie Maggie Philomena Young Clare Mason and all of the songs and all of the singers, to the squeeze box, to the fortune telling, the money lending, the goose they called Christina, to the tales of the auld days, to the winning of The Cup, To Father Tobin, a saint in himself, to the lost souls that washed the dead, to the uprooted and displaced, to Twinkletoes the bookies runner, to the walks from Croxteth to Kirby along the East Lancashire Road. To wearing a pocket at Great Homer Street market, to 8 Quarters of Fine Irish, to the Pier Head and the Landing Stage and waving off the liners on their way to New York, from to Scotland Road, to Blacklers and the exodus on the 14C bus back home. To my growing up thinking that every story ends with a gag…



On the news of Carillion Contractors demise January 2018

Written as a Carry On film

‘Carillion Up The Contractors’, A 2018 British comedy about a bunch of cowboy builders. Stars Phillip Green, Richard Howson, David Liddington, RBS, Barclays, other banks, the Tory Government, The Official Receiver, Taxpayers and 43,000 workers.

Wild adventures and misadventures of co-partners in an unconventional building agency. Phillip Green, Chairman of Carillion Contractors – promises to do any job, big or small-is in a quandry. Accompanied only by a failing government and huge bank loans he is desperate to find someone to bail him out.

Meanwhile at the government hapless David Liddington tells its workers to Carry On Working, as there is still a high speed rail link to finish as well as all of those prisons, schools and hospitals. So when bankers get wind of Carillion’s troubles they call in a motley crew of administrators.

This is when the fun begins…

The Hands of Dead Celebrities remembers… Peter Wyngarde

The Hands of Dead Celebrities remembers… Peter Wyngarde

Did you know that Peter Wyngarde’s real name was Cyril Goldbert, born in Marseille, to a French mother and British father, a Merchant Navy seaman. He claimed that his real father was a British diplomat and that Cyril was born was actually born as Paul Wyngarde. He may also have been born at anytime between 1924-33. His mother Madge Godbert nee Ahin, lived in Singapore, was a Swiss national who remarried and moved to Malaysia. Wyngarde claimed at one point that his mother was a racing car driver.
His father a Mr H Goldbert, was most likely a Russian Jewish immigrant who lived in Liverpool. Although the Peter Wyngarde Appreciation Society (yes he has his own appreciation society PWAS), deny the fact that Henry Godlbert was his father and that his father was a diplomat who lived in Eaton Square. Seemingly, there is no actual record of Wyngarde senior in electoral records or anywhere else.
Wyngarde also suggested that Louis Jouvet, French actor was his uncle, according to my sources, this too may have been a slight stretch of the truth.

RIP Peter Wyngarde, especially as Jason King, you suave old sleuth with your wine, cigarettes and tops cut down to there, not to mention all that hair


These are short simple vignettes of my everyday wanderings, people I meet, sights I see and general scrapes I get into, when I am out and about with or without the dog. I hope you enjoy them…


‘I see the Moon and the Moon sees me’  2nd January 2018

Last night on my way home from a nice pub lunch and a couple of sherbets, a friend and I saw a hooded figure sitting on a bench with his shopping trolley full of his meagre possessions. His head was bowed as the massive Wolf Moon looked down upon him, unnoticed by this hunched figure.
My friend and I headed past, towards our homes when she turned to offer the late middle aged man a fiver. He stood up, politely refusing to accept the money as he was not a beggar. He claimed that if he accepted money then that would be the last straw, as he wanted to improve his life and was merely the victim of reduced circumstances. He said that if people offered him something to eat or drink that he would accept it, I suggested we go to the corner shop to get him something, but that was just the money in disguise, so again he refused the offer. He also warned us against giving money to beggars as it often went into the holes in their arms or down their necks, to be pissed up the wall.
I asked him where he was staying, he replied that he was camping. It felt like it was about to rain as we wished him well and by this time, disturbed from his contemplation he trudged off into the dark, pulling his worldly goods behind him, hoping for a better future.

‘God Bless the Moon and God Bless me’


Christmas with my Nan 21 December 2017

‘I’d like eight quarters of Fine Irish please’… my sister and me on the day before Christmas Eve, jumping on the number 14c to Broadway, the parade of shops that was almost as exciting as town, but not as tricky to navigate without parental control. Broadway had shoe shops that sold patent leather pumps for kids (not that we got them, our shoes came from Johnnie Flynn, the Tuff shoe man who came to the house bearing boxes of more sensible footwear), an old school chandler’s, they call them hardware stores these days, turned into a glittering emporium selling all things Christmas. This is where we took our own money to buy presents for our family. I usually bought bath cubes for me Mum, those stinky scented blocks wrapped in gold with a paper band bearing a picture of whatever flower that it had perfumed, most often Lily of the Valley or Lavender. My Nan normally got a set of six rose shaped individual soaps that were coloured in pastel shades of pink, violet and yellow and came in a long, printed box covered in cellophane. After looking through everything Woolworth’s had to offer, records, Pick n Mix, make-up and fairy lights, we’d visit Ethel Austin, the knicker lady, to peruse the nylon stockings, to wondering what they had in the wallpaper shop that might be remotely suitable for our Dad, most likely something Pozidriven, then finally, we went to the tobacconists…

I was around eight and my sister Collette 10. The snuff shop to me was the best bit of Christmas shopping, buying my Nan’s ‘eight quarters of Fine Irish please’. I was barely able to see the top of the counter, as I reached up to hand the lady the money. She would stand and weigh out eight individual quarter ounces and decant them into paper cones each one twisted at the end. These would then be handed to us in a bigger paper bag and off we would go, back on the bus, three bags full. When we got home we’d pass my Nan her booty and she’d say ‘Come here, don’t tell your Mother’ she’d then place a line of snuff on our hands, in the crease between finger and thumb and up we’d sniff, euphoric from the trip and the naughtiness that ensued.

Up at the crack of dawn Christmas Eve with my sister and the little ones Sheila and Clare, to queue up for a dozen cream cakes and a tub of Devon Whip from Sayers the Bakers. That’s when Christmas started proper

IT IS WRONG  20 December 2017

Last night as I walked around the block I saw a young man, normal looking enough, as I stated in one of those grey track suits that the yoot wear in Hackney. He was searching through the recycling bins. IT IS WRONG and it is playing on my mind, he is just a normal teenager, on his way home, he could be your son, or mine. There is no point in crying about it, I know, but God knows what the poor kid was looking for at that time of night. I hardly slept woke at around three, nervous and fretting. The only thing that took my mind off it was worrying that I could no longer teach 3 point perspective, off the top of my head. Spent another hour trying to work that one out, just in case anyone broke in at four in the morning demanding a drawing lesson.

International Women’s Day

Happy International Women’s to the woman that I saw sitting on a bench as I left the house at 3.00pm this afternoon, to that woman sat staring looking head bent over her shopping, her hood raised, her eyes not focused with the weight of the world on her shoulders.
Happy International Woman’s Day to the woman who crossed her path down Broadway Market on her way to get a drawing framed of another woman’s mother.
Happy International Woman’s Day to the woman who served me in the shop. Happy International Woman’s Day to the young woman still sitting at 3.45pm, still staring, surrounded by shopping bags, as I made my promise “if she is still there later I will have to speak to her, to make sure she is fine’.
Happy international Woman’s Day to my sisters, in our grief and in our love.
Happy International Woman’s Day to the woman who I passed at 6pm just sat there looking, just bent over, just all done, just still waiting.
‘if she is still there on my way back I will say something’.
Happy international Woman’s Day to my friend who bought me a drink, to the young barmaid who stroked the dog and got snapped at as a result, yet took it in good stead, thanks for the lady laugh.

HIWD to the 40 odd, entitled pony tail swingers, as they ran in their IWD Tees, on their way back from a ‘group jog’, pounding on the pathway towards me and my chihuahua, not caring whether they scared either the dog or me. Congratulations ladies and if I demanded you ‘get off the pavement’, I meant that as a group even International Women can be a negative challenge.
Happy International Women’s Day to the women I met on their way back from the funeral of their friend
Happy International Woman’s Day to the woman at 7.30pm, still sat there confused, surrounded by her bulging shopping bags.

I approached her ‘Are you OK? You have been sitting here for a long time’
She was young, she shook her head, stood up and examined her bags.
‘I am concerned about you, can I help? would you like some money for a cab?’ She shook her head.
As she collected herself and her possessions I asked again ‘can I help you?’ Again she shook her head, by now I was not even sure if she spoke English, all I knew was that she was confused and distressed.
She collected her bags and moved on as I bore witness to her distress.
I crossed the road turning back to watch this silent figure making her way slowly along Mare St, every 25 yards stopping to drop and rearrange her burden.

Happy International Woman’s Day to the woman I asked ‘excuse me it’s International Woman’s Day I can see a woman in distress what should I do? Thank you for stopping and being interested.
Happy International Woman’s Day to all who care and bless those who are overwhelmed by their worries and to those who carry their lonely bags in the face of this Malestrom, the beauty that is life..

The Fall at the Empire

The Viscountess Lady Helena Handcart

The Knight of the Hunter in his Don’t Look Now Halloween Costume

Just on my way back from downtown Hackney, after buying the fabric for Hunter, my dog’s Halloween costume (he was to go as the little meat cleaver wielding killer in Don’t Look Now) and doing a favour for a pensioner who shall remain nameless. Primark bag in hand and a sack full of pound a bowl fruit and veg.
Outside the Hackney Empire a youngish Evangelical Christian man approaches me brandishing a leaflet with a cross on the front. I decline politely and carry on my way.
He calls me back. I turn ‘It’s a story about an English lady, a posh English lady. She goes to HELL’.
‘How dare you call me POSH!’
I walked the walk of the damned, with the sound of his warning ringing in my ears.

Broadway Market Pieta
Tonight, as I was walking home I saw a woman sitting outside the pub, cradling with what I perceived to be a small child curled up in her lap. I walked past and as I carried on I saw it was the young woman who I have given money to over recent years, there she was tiny, tremulous sniffing openly from an aerosol can of lighter fluid. In better days, the can is hidden up her sleeve as she tries and talks and begs for change.
The reason I tell you this is that I am very sad and nonplussed by the truth that I carried on walking, but felt that this was no longer my business, there was nothing more I could do, other than complicate matters by ideas driven by ignorance and good intentions.
Do I give her money?
Can I give her any more time?
No, she should not be in this position but there is honestly nothing more that I could think of that I could do, other than share this moment and tell you that the way that the seated woman stroked the girl’s hair was filled with empathy and affection, hopefully the young woman will be there tomorrow and yes I will give her money and she will stroke my dog and life will go back to normal.

Eulogy for a Dead Baby

poor baby rat

Yesterday evening I was walking along the Regent’s Canal on my way to see a rather spotty young friend and count her Chicken Pox. I had the dog on the lead and to the inside, a man in a white top came rushing by on his bicycle, I shouted to him to ‘slow down’ a couple of minutes later a big old 15 stone man came thundering past on his bike, really close to me. I shouted after him to ‘SLOW DOWN’, then a big man in lycra and a helmet came weaving through the walkers. I haven’t even mentioned the joggers and their thumping feet, can you imagine the stress for a 3kg chihuahua, so close to the ground?
As i came towards Victoria Park I saw in the distance a young blonde woman standing behind her bike as the men thundered and the joggers sweated. there she was standing, staring. Coming the other way was a woman and her friend, with a Staffie on a lead, so I stood with the girl behind her bicycle to let them pass. Then the young woman in white said ‘I think I should move him” I looked over to see what she was staring down at and there it was a little baby rat, run over, squashed by a big fat cyclist, killed in a hit and run.
‘I think I should just roll it into the canal, I feel so sorry for it’ she said. I thought that this was a bad idea as it would just bloat up and rot away. I felt it better to move it into the grass where it would at least get eaten by something else in the night.
All of the time bicycles were whizzing past and runners were racing along as we attempted a solution to this sad little life cut short. I took a photograph of the creature, lying perfectly still, with its new little pink hands and feet facing to the sky. I pulled out a poo bag to offer the girl so that she could pick up the body ‘but what if it’s still alive’ she asked.
‘it’s very definitely dead. Here you go’ as I brandished the bag.
‘Oh I’m pregnant’
‘Well you certainly pulled that one out of the bag at the last minute’
We agreed that it was a bad idea for her to pick it up and I was certainly not going to do it, being a coward an all. We agreed that the best thing was for it to just lie there, ignored by the traffic and hope that it would be some creatures midnight feast.
I feel bad that I didn’t move it, but no one’s perfect.

The Invisible Woman at Hantverk & Found

The Invisible Woman meets…

  Julian on the opening night

Well what a weekend that was. I arrived on Wednesday to begin setting up downstairs in the gallery underneath Hantverk & Found’s fabulous seafood restaurant, the brainchild of chef Kate de Syllas.  Kate has been open for around two months and is bringing something new both as a restaurateur and as a curator, to the regeneration of the old town, close to Margate’s sweep of English seafront.

The opening night of the show was a great deal of fun with visitors to the gallery persuaded to look through the eyes of The Invisible Woman, including having their photos taken, wearing the green eyed mask of visibility. The resulting photographs will be on show and added to the installation at the gallery throughout its run.

Hantverk & Found is just around the corner from Turner Contemporary, which shows an impressive array of internationally recognised artists.  At the moment Grayson Perry is showing his Provincial Punk range of pots, puns, industrial sized tapestries and a couple of flickery films celebrating Claire’s (Perry’s alter ego) pinkie in the air brand of suburban sophistication.  It was very busy when I went, as it was the weekend that the Vauxhall Art Car Boot Fair Charabanc parked up behind the bike sheds of TC. The VACBF is formerly a London based institution that over recent years has loaded up it wares and taken its caravan to the coast. This is a fair where traditionally, artists of every kidney open their metaphorical handbags to clean out the crumbs to sell the contents.

There were dancers in knitted cozzies, jigging like disco mad deck hands, as well as artists wearing stick on ‘taches, a dog in a tutu, a man sprawled in car boot, serenading passers by with his mimed siren songs, heard only by those who listened carefully, all showing alongside the art world workhorses, those that lure the flippers and welcome the families. The queues five deep waited nicely for their fistfuls of potential dollars, in the form of limited edition prints and covetable knick-knacks, as well as all sorts of glamorous ‘what have you’s’, that maybe one day will pay to get the kids through college.

Then there was the beacon of all that is new, exciting and black and green, that is, Hantverk & Found. The stall featured work by four artists, there was Sam Simmons with his SAMZINE, a monthly publication by Sam who is a local poet and reviewer of all that you need to know about the arts and music scene in Margate. Much of SAMZINE is hand written and appears as a free flowing train of thought mixed in with some intimate poems that give an insight into waking up after the night before, when the bands played and the reviews were written. Jason Pay is a photographer who lives in Margate and the work he showed was a series of ethereal Polaroids, deftly catching the moment where the sea and the sky become one massive fluid canvas, set in a 2×3 inch print. Tom Swift brought along his collection ‘Container’ prints and T Shirts that give the viewer a glimpse of the ever-present container ships anchored just out of reach on the Margate horizon. His work mixes the fluidity of gouache with a wry black lined commentary of life on the Kent coast. His work is next up at Hantverk & Found, opening at the end of September for a month. Illustrator and music lover, Angela Federico‘s collection of the named, shamed and feted faceless, iconic hairdo’s of ‘Stars Without Eyes’ appeared on a range T Shirts, mugs and bags, were popular with the queuing throng. Finally, I took along some ‘Fido at the Lido’ A4 drawings that featured kittens in cups and dogs not allowed on the beach, accompanied by Saucy Seagulls Scoffing chips. By four o’clock it was all over bar the shouting and we retreated en masse to be served buckets of mussels with white wine, supplied by our hostess Kate. Karen Ashton organiser of the VACBF turned up at H&F in a whirl of post boot fair excitement, already making plans for next year.

This also gave me a chance to show more folk around The Invisible Woman, in the basement gallery, talking them through the frieze of over 250 6 x 4in High Street printed photographs, all bearing the flashing green eyes of The Invisible Woman, she who empowers the unsung and appreciates the unrecognised heroines and heroes, contemporary and historical. The eyes are all taken from one photo and are applied with care to each subject, highlighting an aspect of the story of each chosen  subject . There is all too often a quick visual gag, but always with a point to make or a story to tell.

I didn’t leave until Monday, when the heavens opened in true seaside style and back to The Smoke I came.

The Invisible Woman show runs until Thursday 24th September at Hantverk & Found, 18 King Street Margate CT9 1DA

Thursday-Sunday 12-4pm.

For more info contact [email protected]


The Invisible Woman


The Invisible Woman is a series of collage self portraits featuring Top Selling artists looking through my eyes. The series including The Invisible Woman #5 Kusama is a an image of the artist Yayoi Kusama with her Yellow Tree ©Yayoi Kusama Studio Inc with my eyes staring out in an unflinching gaze that asks the viewer to see me as an artist in the shoes of another, at heart we as artists fear that invisibility and are therefore driven to create works of art. The collages will continue to include leading contemporary artists and my peers. They eyes remain the same only their direction changes to question and challenge the nature of what it means to be a credible artist. The series also highlights the position of me as a woman and as an artist as the cloak of middle aged invisibility begins to cover me. The Invisible Woman is an attempt to realise my place and to question the importance of the work that I am creating in a wider context of the Art World as a whole. The majority of artists are rendered invisible working in a world where they struggle to get paid anything at all as opposed to an actual minimum wage. These are the people who prop up the fantasy of the artist as some sort of glamorous free spirit. The artist that is not part of the collectors system has a hard time even finding the right door on which to knock, let alone enter the world where they can make the work that they are capable of or exhibit and fulfil their potential. Here The Invisible Woman throws down the gauntlet for you to meet her gaze and see her for who she is and what she may become.